The best website for free high-quality Monotype Corsiva fonts, with 18 free Monotype Corsiva fonts for immediate download, and 9 professional Monotype Corsiva fonts for the best price on the Web. 18 Free Monotype Corsiva Fonts.
Monotype Corsiva font family. 2 minutes to read. Contributors. In this article An italic typeface made in the style of the early Italian cursives, as exemplified by the work of the writing master Ludovico degli Arrighi in the sixteenth century.
The capitals are of swash design, with characteristic flourishes, designed primarily for use as initial letters. Corsiva can be used for short text passages in advertising but is best used to add sparkle to invitations, greeting cards and menus, and to give a sense of occasion to certificates and awards. Monotype Corsiva Versions 2.35 File name mtcorsva.ttf Authors Monotype Type Drawing Office - Patricia Saunders Copyright Digitized data copyright The Monotype Corporation 1991-1995. All rights reserved. Monotype Corsiva? Is a trademark of The Monotype Corporation which may be registered in certain jurisdictions.
Trademark Monotype Corsiva? Is a trademark of The Monotype Corporation which may be registered in certain jurisdictions.
There was a time when you only have to choose between Arial or Times New Roman. Now that there are thousands of fonts, it can be daunting for your project. To inspire you, 8 designers share their most loved and hated fonts. At the end of the day, it comes down to context, overuse or misuse. Select a typeface based on the message it communicates. More font resources:.
Favorite font: Gotham Inspired by 20th century architectural signage, Gotham’s assertive and geometric appearance makes it a favorite font for many designers, myself included. Though some have criticized the typeface’s overuse, I think it’s safe to say Gotham has an intriguing, timeless appeal that will outlast any trends. Most hated font: Papyrus A font that, in my opinion, is used far too often — perhaps some find the rough, unbalanced look of the letterforms appealing. Or, perhaps designers appreciate its accessibility, yet still find it “edgy” compared to generic fonts like Times or Arial. Whatever the case, I think we all could do with a little less Papyrus in our lives. – Dustin Coulson, Senior Graphic Designer at. Favorite font: Poppins My favorite font is Poppins.
It matches up well to the saying “Good design is as little design as possible” by Dieter Rams. The geometric shape of the letter form is near equal in terms of height and the spacing between characters is perfect. It looks great as a heading font and as body text. (free) Most hated font: BlackOak The font I hate the most is Blackoak.
I can’t look at it more than a minute. Extremely wide which limits its application and creates readability issues at certain sizes. – Jake Gaviola, Website Designer at.
Favorite Font: Exo 2 My favorite font is Exo 2. When you ask Paul McCarney what’s his favorite record, he always says, “The one I’m working on.” We are using Exo 2 for our new corporate font for our own communication and web because it’s got a nice range of styles and weights and seems crisp, distinctive yet readable. (free) Most hated font: Triple Condensed Gothic Triple Condensed Gothic is used on movie credits and you can’t even read it.
The only one who does unreadable fonts well (and with purpose) is David Carson, the rest of us should make our words understandable. – David Langton, Branding & Website Designer at. Favorite Font: Futura The classic, timeless lines and perfect circulars of Futura is probably the reason why it’s my top choice. It’s my failsafe font, well, I can’t even think of anything that it doesn’t go well with. Big companies like Airbnb, Best Buy, and Avon are using this. Its relevancy keeps going and it will continue to appeal and be relevant for years to come.
Most hated font: Monotype Corsiva and Brush Script I hate handwritten-wannabe fonts. The italicized ones that are overly used in award certificates and wedding invitations. There are a lot of people using Monotype Corsiva and Brush Script because they look “formal” or “fancy”.
Neither of those two descriptions make sense to me. – Sam Hayes, Website Designer at. Favorite Font: Adele I’m a sucker for anything bouncy and cheerful; I’ve recently been loving Adele by Celcius Design. It’s very bright and unexpected. A lot of my designs for my job work in my own hand-drawn illustrations, and I find that this font compliments my style really nicely.
Least favorite font: Bleeding Cowboys My least favorite font, besides Comic Sans (obviously) is Bleeding Cowboys. I worked in a t-shirt printing business a few summers ago, and trying to set that font up for print on myriad rodeo-themed bachelorette parties. It just ruined it for me. It’s tacky and unpredictable, and it needs to go away forever.
– Lianna Potrikus, Illustrator & Graphic Designer at. Favorite font: Klavika Klavika has got to be my favorite font. Every time I use it I’m just mesmerized how well it looks. I give it to the G’s, be it the upper or lower cases, both are notable and head turners. Klavika has a soft, welcoming vibe to it, yet it’s so classy and striking.
Most hated font: Times New Roman Opposite to Klavika, the sharp points and overall unreadability of Times New Roman makes it my most hated font. It makes me feel uneasy by the near sight of it. – Hannah Grant, Designer & Photographer at. Don’t know why people rag on Calibri. It has great default line spacing and I like the x-height.
When I try other fonts to replace it, 9 times out of 10, I like the original Calibri better. Very readable. The only problem is the small size of the family. Saw someone call it “the worst font ever designed by man” and compared it to Comic Sans (truly the worst font ever designed by man).
To my eye, it’s really quite lovely, especially compared to that horse, Arial, whose only saving grace is that everyone has it, so font substitutions don’t happen.